| Foreword | | | | 2.6 What goes wrong Consequences? |
| | | | |
| I wish to acknowledge the support of Mr John | | | | ï‚§ Coast overrun 1300% (Ref. 18) |
| Tookey University of Auckland for his | | | | |
| generously support and valuable advises. | | | | As feared many experts the project become an |
| | | | engineering financial debacle, lasting 15 |
| 1. Introduction | | | | years and costing $107 million ($100 million |
| | | | over the initial estimate). |
| Risk management is one of the most critical | | | | |
| project management practices, to ensure a | | | | ï‚§ Schedule overrun 250% (Ref. 18) |
| project be successfully completed Risk | | | | |
| management is thus in direct relation to the | | | | ï‚§ Media and public scandal |
| successful project completion. Project | | | | |
| management literature describes a detailed | | | | Fig 5 Time /cost Escalation |
| and widely accepted risk management process, | | | | |
| which constructed from four iterative phases | | | | ï‚§ Management conflict occur between the |
| known as risk management plan | | | | client and the architect that cause him to |
| | | | resign before the end of stage III . |
| • Risk identification | | | | |
| | | | 3. Risk identification quantification |
| • Risk estimation | | | | |
| | | | 3.1 Identification |
| • Risk response | | | | |
| | | | By looking at the project there are some |
| • Planning and execution | | | | risks appear not used have the most adverse |
| | | | effect on the project |
| Risk Identification | | | | |
| | | | 1. Poor Cost Estimate. |
| In this stage , we identify and name the | | | | |
| risks , there are different sorts of risks | | | | 2. Incomplete design. |
| and we need to decide on a project by | | | | |
| project basis what to do with each type. | | | | 3. Failure to keep within the cost estimate |
| | | | |
| Risk Quantification | | | | 4. Failure to achieve the required completion |
| | | | date. |
| Risk need to be quantified in two dimensions. | | | | |
| The impact of the risk needs to be assessed. | | | | 5. Changes in project scope and requirements. |
| The probability of the risk occurring needs | | | | |
| to be assessed. For simplicity, rate each on | | | | 6. Design changes. |
| a 1 to 4 scale. The larger the number, the | | | | |
| larger the impact or probability. By using a | | | | 7. Pressure to deliver project on an |
| matrix, a priority can be established. | | | | accelerated schedule. |
| | | | |
| Fig 1 quantification scale matrix (Ref. 11) | | | | 8. Inaccurate contract time estimate |
| | | | |
| Risk Response | | | | 9. Lack of communication between project |
| | | | participants. |
| There are four things you can do about a | | | | |
| risk. The strategies are: | | | | 10. Inadequately defined roles and |
| | | | responsibilities. |
| • Avoid the risk. Do something to | | | | |
| remove it. Use another supplier for example. | | | | 11. Insufficient skilled staff. |
| | | | |
| • Deflect the risk. Make someone else | | | | 12. Political risks. |
| responsible. Perhaps contracting out or | | | | |
| insurance against (damage , liability, | | | | 3.2 Qualitative risk analysis |
| personnel liability etc | | | | |
| | | | Qualitative risk analysis assesses the |
| • Mitigate the risk. Take actions to | | | | importance of the identified risks and |
| lessen the impact or chance of the risk | | | | develops the prioritized lists ,using the 1 |
| occurring. If the risk relates to | | | | to 4 scale matrix discussed above to quantify |
| availability of resources, draw up an | | | | identified risks |
| agreement and get sign-off for the resource | | | | |
| to be available. | | | | Risk Probability Impact Risk |
| | | | Importance |
| • Accept the risk. The risk might be so | | | | |
| small the effort to do anything is not | | | | 1. Poor Cost Estimate. 3 3 Critical |
| worthwhile or a contingency plan may be | | | | |
| developed to deal with possible effects. | | | | 2. Incomplete design. 1 3 High |
| | | | |
| Risk Control | | | | 3. Failure to keep within the cost estimate |
| | | | 3 4 Critical |
| The final step is to continually monitor | | | | |
| risks to identify any change in the status, | | | | 4. Failure to achieve the required completion |
| or if they turn into an issue. It is best to | | | | date. 4 3 Critical |
| hold regular risk reviews to identify actions | | | | |
| outstanding, risk probability and impact, | | | | 5. Changes in project scope and requirements. |
| remove risks that have passed, and identify | | | | 1 3 High |
| new risks. | | | | |
| | | | 6. Design changes. 2 2 Low |
| 1.1 Risk management and construction | | | | |
| | | | 7. Pressure to deliver project on an |
| The construction industry is subjected to | | | | accelerated schedule. 2 2 Low |
| more risk and uncertainty than many other | | | | |
| industries. The process of taking a project | | | | 8. Inaccurate contract time estimate 3 4 |
| from initial investment appraisal to | | | | Critical |
| completion and into use is complex, generally | | | | |
| bespoke, and entails time-consuming design | | | | 9. Lack of communication between project |
| and production processes. It requires a | | | | participants. 3 4 Critical |
| multitude of people with different skills and | | | | |
| interests and the co-ordination of a wide | | | | 10. Inadequately defined roles and |
| range of disparate, yet interrelated, | | | | responsibilities. 1 4 High |
| activities. Such complexity is further | | | | |
| compounded by many uncontrollable external | | | | 11. Insufficient skilled staff. |
| factors (Flanagan and Norman, 1983). The | | | | 1 2 Low |
| construction industry has a poor reputation | | | | |
| in coping with risks, many projects failing | | | | 12. Political risks. 4 2 Medium |
| to meet deadlines and cost targets. Clients, | | | | |
| contractors, the public and others have | | | | Three risks were selected for detailed |
| suffered as a result (Edwards 1995). This | | | | qualitative risk assessment (refer to sheet 1 |
| study will focus on applying project risk | | | | , 2 and 3) |
| management strategies on construction of | | | | |
| Sydney opera house which is a well-known case | | | | Risk Risk Control |
| for cost overrun. | | | | |
| | | | 1. Poor Cost Estimate. Client, Contractor |
| 1.2 The aim of the study | | | | |
| | | | 2. Incomplete design. Client , |
| The aim of this study is not to reduce the | | | | Contractor |
| great achievement of construction such a | | | | |
| complicated building that changed the face of | | | | 3. Failure to keep within the cost estimate |
| the city but looking form management point of | | | | Client |
| view to | | | | |
| | | | 4. Failure to achieve the required completion |
| ï‚§ Identify and quantify the project | | | | date. Client, Contractor |
| risks that been overlooked. | | | | |
| | | | 5. Changes in project scope and requirements. |
| ï‚§ Highlight the dangers associated with | | | | Engineers |
| using poor estimate. | | | | |
| | | | 6. Design changes. Contractor |
| 1.3 About the Sydney Opera House | | | | |
| | | | 7. Pressure to deliver project on an |
| ï‚§ The owner :State government of New | | | | accelerated schedule. Engineers |
| South Wales | | | | |
| | | | 8. Inaccurate contract time estimate |
| ï‚§ Architect :Jorn Utzon | | | | Contractor, Client |
| | | | |
| ï‚§ Engineer: Ove Arup & Parteners | | | | 9. Lack of communication between project |
| | | | participants. Engineers, Contractor, Client |
| ï‚§ Cost: $102 million | | | | |
| | | | 10. Inadequately defined roles and |
| The Sydney Opera House is the busiest | | | | responsibilities. Engineers, Client |
| performing arts centre in the world. Since | | | | |
| its opening in 1973, it has brought countless | | | | 11. Insufficient skilled staff. Client |
| hours of entertainment to millions of people | | | | |
| and has continued to attract the best in | | | | 12. Political risks. Contractor |
| world class talent year after year. | | | | |
| | | | 3.2 Risk response |
| 1.4 About the Building | | | | |
| | | | 3.2.1 Risk Avoidance |
| There are nearly 1000 rooms in the Opera | | | | |
| House including the five main auditoria. | | | | As discussed most of the risk could be |
| There is also a Reception Hall, five | | | | avoided by only |
| rehearsal studios, four restaurants, six | | | | |
| theatre bars, extensive foyer and lounge | | | | • Completed design . |
| areas, sixty dressing rooms and suites, | | | | |
| library, an artists' lounge and canteen known | | | | • Estimating at a very detailed level. |
| as the "Green Room", administrative offices | | | | |
| and extensive plant and machinery areas. The | | | | • Not selecting untested design . |
| building covers about 1.8 hectares (4.5 | | | | |
| acres) of its 2.2 hectare (5.5 acre) site. It | | | | • Using local Architecture office will |
| has about 4.5 hectares (11 acres) of usable | | | | reduce many and more communication and |
| floor space. It is approximately 185 m (611 | | | | experienced architecture designer |
| ft) long and 120m (380 ft) wide at its widest | | | | |
| point. The highest roof vault (above the | | | | 3.2.2 Risk transfer |
| Concert Hall) is 67m (221 ft) above sea | | | | |
| level. | | | | • Using a fixed price contract will |
| | | | transfer construction risk to the contactor. |
| The roofs are made up of 2,194 pre-cast | | | | |
| concrete sections. These sections weigh up to | | | | • Obtaining Insurance to cover costly |
| 15.5 tones (15 tons) each. They are held | | | | risks. |
| together by 350 km (217 miles) of tensioned | | | | |
| steel cable. The roofs weigh 27,230 tones and | | | | 3.2.3 Mitigate the risk |
| are covered with exactly 1,056,056 Swedish | | | | |
| ceramic tiles arranged in 4,253 pre-cast | | | | Risk analysis shows that no clear management |
| lids. | | | | process for controlling the project however |
| | | | using an experienced project manager would |
| The entire building weighs 161,000 tones. It | | | | effectively reduce probability or impact of |
| is supported on 580 concrete piers sunk up to | | | | risks to an acceptable level. |
| 25 m (82 ft) below sea level. The roofs are | | | | |
| supported on 32 concrete columns up to 2.5 m | | | | 4. Assessment forms |
| (8 ft) square. The exterior and interior | | | | |
| walls, stairs and floors are faced with pink | | | | Following a three assessment forms for 3 of |
| aggregate granite which was quarried at | | | | the significant risks |
| Tarana in New South Wales. The two woods used | | | | |
| extensively to decorate the interiors are | | | | Performa for a Qualitative Risk Assessment |
| brush box and white birch plywood which were | | | | (sheet 1) |
| both cut in northern NSW. There are 6,225 sq | | | | |
| m (67,000 sq ft) of glass, made in France, in | | | | Reference No: 6 Date:25/06/2007 |
| the mouths of the roofs and other areas of | | | | |
| the building. It is in two layers - one plain | | | | Potential risk: Importance of Risk: Low |
| and the other demi-topaz tinted. About 2,000 | | | | |
| panes in 700 sizes were installed. | | | | Design changes |
| | | | |
| There are 645 km (400 miles) of electrical | | | | Probability Medium |
| cable. 120 distribution boards regulate the | | | | |
| power supply, equivalent to the needs of a | | | | Consequence Medium |
| town of 25,000 people. Twenty-six | | | | |
| air-conditioning plant rooms move more than | | | | Stage of the project affected by this risk: |
| 28,500 cubic meters (1,000,000 cubic feet) of | | | | |
| air per minute through 19.5 km (12 miles) of | | | | Construction stage |
| ducting. | | | | |
| | | | Statement of risk: |
| Fig 2 Sydney opera house (Ref. 6) | | | | |
| | | | Cost and schedule overrun |
| Fig 3 Sydney opera house during construction | | | | |
| (Ref. 7) | | | | (The factor that could cause it to occur) |
| | | | |
| Fig 4 Sydney opera house shells (Ref. 7) | | | | Political business interest |
| | | | |
| Fig 4 Sydney opera house shells (Ref. 7) | | | | Site problems |
| | | | |
| 1.5 Design Stage | | | | (any relationship or dependency on other |
| | | | risks) |
| The original concept for the project was a | | | | |
| sketch submitted by Danish architect , Jorn | | | | Incomplete design |
| Utzon .Judges selected it from an | | | | |
| international open competition that ended | | | | (the likelihood of occurring) |
| with 233 entries from 11 countries. Thought | | | | |
| happy to win the competition Utzon was mildly | | | | Medium |
| shocked .although his concept had caught the | | | | |
| attention of the judges, it consisted only if | | | | (how it could be affected) |
| simple sketches with no plans or even | | | | |
| perspective drawings , because the design | | | | Design checking prior leaving the design |
| was so unique , some people presumed it would | | | | office |
| also be inexpensive to build. No one knew how | | | | |
| it would be build , and some experts | | | | Project: |
| questioned that it could be built at all. | | | | |
| | | | Sydney opera house |
| In spite all uncertainty , the initial | | | | |
| project cost estimate was pit at | | | | Client: |
| $7million.The government would use profits | | | | |
| from a series of state run lotteries to pay | | | | New South Wales government Risk Analyzed by: |
| the project. | | | | |
| | | | Khaled |
| The government was worried that the people | | | | |
| scrutinizing the design might raise question | | | | Performa for a Qualitative Risk Assessment |
| about the potential problems hat would stall | | | | (sheet 2) |
| the project they thus quickly mover ahead and | | | | |
| divided the work into three main contracts | | | | Reference No:1 Date: 25/06/2007 |
| :the foundation and the building except the | | | | |
| roof, the roof, and the interior and | | | | Potential risk: Importance of Risk: Critical |
| equipment. | | | | |
| | | | Poor Cost Estimate |
| 1.6 Construction stage | | | | |
| | | | Probability High |
| Many of the world's best-known construction | | | | |
| companies were involved in building | | | | Consequence High |
| | | | |
| Sydney Opera House including Arups Structural | | | | Stage of the project affected by this risk: |
| Engineering, Hornibrook and Rider Hunt, the | | | | |
| construction work of S.O.H was divided into | | | | Design stage |
| three distinct stages as follows (Ref. 19) | | | | |
| | | | Construction stage |
| • Stage I | | | | |
| | | | Statement of risk:major source of |
| Sub structure , concrete structure from the | | | | complainttime consuming |
| foundation up to the auditoria seating levels | | | | |
| excluding any finishes. | | | | (the factor that could cause it to occur) |
| | | | |
| • Stage II | | | | Changes in project scope and requirements |
| | | | |
| Superstructure or shells , concrete roof | | | | (any relationship or dependency on other |
| vaults or major and minor halls an | | | | risks) |
| restaurants , including the claddings. | | | | |
| | | | Inadequately defined roles and |
| • Stage III | | | | responsibilities. |
| | | | |
| Everything not included in stages I and II , | | | | (the likelihood of occurring) |
| stage towers, all interior finishes, exterior | | | | |
| paving and cladding, glass walls , all | | | | Height |
| electrical and mechanical services. | | | | |
| | | | (how it could be affected) |
| After he was elected premier of New South | | | | |
| Wales in 1965, Askin attempted to force Utzon | | | | Effective project management |
| reduce costs by withholding payments. In 1966 | | | | |
| Utzon resigned and returned to his native | | | | Clearly defined roles |
| Denmark. He never even returned to see his | | | | |
| masterpiece completed. | | | | Project: |
| | | | |
| The construction of the Sydney Opera House | | | | Sydney opera house |
| was now handed over to a group or Australian | | | | |
| architects. Fortunately, the exterior had | | | | Client: |
| already been completed by then so that the | | | | |
| impact of the altered design on the overall | | | | New South Wales government Risk Analyzed by: |
| structure was minimal. The project was | | | | |
| finally completed in 1973 after a | | | | Khaled |
| construction period of 14 years and an | | | | |
| expenditure of over $A100 million, almost 15 | | | | Performa for a Qualitative Risk Assessment |
| times the estimated budget. | | | | (sheet 3) |
| | | | |
| 2. Risk management strategies at S.O.H | | | | Reference No:9 Date: 25/06/2007 |
| | | | |
| 2.1 Financial | | | | Potential risk: Importance of Risk: Critical |
| | | | |
| Despite of all cost escalation , taxpayer had | | | | Lack of communication between project |
| little to pay .Virtually all the costs were | | | | participants. Probability high |
| covered by the proceeds of State Lotteries. | | | | |
| The continued need to the subside the running | | | | Consequence high |
| costs of the opera house were financed by the | | | | |
| continuation of the Lottery State. The first | | | | Stage of the project affected by this risk: |
| estimate for the Sydney Opera House was $7.2 | | | | |
| million in Australian dollars. Once started, | | | | Construction stage |
| however, costs kept rising and just to | | | | |
| complete the building cost $102 million. | | | | Design stage |
| | | | |
| 2.2 Political | | | | Statement of risk: |
| | | | |
| Political risks are often occur in | | | | Insufficient working drawing details |
| government project as they often hide | | | | |
| information affecting the community's | | | | Late and in adequate information |
| support, which in turn affect the | | | | |
| effectiveness of the feasibility study . | | | | Major costly errors. |
| S.O.H we mostly severely effect by political | | | | |
| decisions | | | | (the factor that could cause it to occur) |
| | | | |
| 2.2.1 Media and public deception | | | | Lack of management |
| | | | |
| In S.O.H. the original budget of seven | | | | Interest conflict between project |
| million Australian dollars was not a real but | | | | participation |
| a political budget .The labour government of | | | | |
| New South Wales the main proponent of the | | | | (any relationship or dependency on other |
| S.O.H, wanted the project started before | | | | risks) |
| elections in March 1959-this would reduce the | | | | |
| risk of the stopping the project in case | | | | Incomplete design |
| Labour lost the elections (8). | | | | |
| | | | (the likelihood of occurring) |
| 2.2.2 Deceptive cost estimate | | | | |
| | | | Height |
| Kim Utzon explains in lieu of his father "It | | | | |
| was a political decision to publicize a low | | | | (how it could be affected) |
| budget for the building, which was expected | | | | |
| to gain approval in the political system, but | | | | Proper project management |
| which very quickly was exceeded. So even if | | | | |
| the cost overrun turned to be 1400% in | | | | Project: |
| relation to the publicized budget, this | | | | |
| budget was an eight of the real budget of the | | | | Sydney opera house |
| building .So the real overrun is only 100% | | | | |
| the rest was politics". | | | | Client: |
| | | | |
| 2.2.3 Political construction date | | | | New South Wales government Risk Analyzed by: |
| | | | |
| The start of construction for stage I was | | | | Khaled |
| fixed ., largely for political reasons , as | | | | |
| the 2nd March 1959.Thus Proceeding with | | | | 5. Lessons learned |
| construction before completing the design | | | | |
| process which is a great risk . | | | | • Risk must be identified to be managed |
| | | | |
| 2.2.4 Political design changes | | | | • A poorly defined risk structure will |
| | | | breed more risks. |
| On 1966 major hall was changed from dual | | | | |
| purpose for concert and opera to a single | | | | • A proper risk management strategy |
| purpose concert hall, the dual purpose was a | | | | would planning. |
| requirement of the competition . | | | | |
| | | | • All designs and calculations should |
| 2.3 Structural | | | | be checked before they leave the design |
| | | | office further check calculation should be |
| 2.3.1 The Supporting points | | | | made by the authority , many errors that |
| | | | escape are picked up and corrected during |
| Arup and his engineers knew very well that | | | | construction .This often cause a delay to the |
| the cross-section shape Utzon chose was far | | | | project and might effect the cost. |
| from ideal known structures, however they | | | | |
| could not suggest changing to the shape as it | | | | • The goal is to prevent political and |
| will alter the appearance of the roof | | | | business interests from interfering with |
| drastically. | | | | design and thus to arrive at an outcome as |
| | | | close as possible to the original design |
| 2.3.2 The roof | | | | drawings. |
| | | | |
| A question should be asked if this design is | | | | • Continually monitor risks to identify |
| achievable?. The competition judges choose a | | | | any change in the status, or if they turn |
| complex art design without asking how it will | | | | into an issue. It is best to hold regular |
| be deigned? later on it was a major cause for | | | | risk reviews to identify actions outstanding, |
| delaying the roof design if this point was | | | | risk probability and impact, remove risks |
| been considered they should either choose a | | | | that have passed, and identify new risks. |
| simple shape or a known geometry, at this | | | | |
| stage computer program analysis was not yet | | | | • Risk management is not one off |
| been introduced that means only manual | | | | activity instead, it should be applied |
| process can be used to calculate the forces | | | | continuously through the project life. |
| acting on the structure. | | | | |
| | | | • The best way to control budget is not |
| 2.3.3 Lack of suitable boundary condition. | | | | to proceed with the building unlit you have |
| | | | all the drawings complete. |
| Another technical problem that the engineer | | | | |
| had to solve was the lack of boundary | | | | 6. Conclusion |
| condition that leads to some earthwork as sub | | | | |
| base for the structure foundation. | | | | Study clearly identify the great importance |
| | | | of risk management on construction projects, |
| 2.4 Technical | | | | negligence will lead to an expensive cost |
| | | | effecting the project successes. |
| Utzon, ware of possible technical problems | | | | |
| since his design required advanced technology | | | | A risk analysis project shows a large number |
| not yet available, requested additional time | | | | qualitatively ranked as 1 , those risks have |
| to tackle those challenges Utzon faced the | | | | a high probability of occurrence and height |
| task of converting the concept into a design | | | | consequence shared between the client 42% , |
| form which a structure could be built, but he | | | | the contractor 36% and the engineer 21% . |
| had no prior experience in the design and | | | | |
| construction of such a large building. | | | | This indicates that it was a very risky |
| Because of this lack of plans, detailed | | | | project nevertheless risks were either |
| design drawings, and estimates of materials, | | | | downplayed or ignored , and not much was done |
| little existed from which cost could be | | | | to keep them under control, the project |
| determined. | | | | management strategies was only focused on |
| | | | keeping the project going no matter how it is |
| 2.4.1 Design errors and omissions | | | | going . |
| | | | |
| • Unfortunately, the roof shells were | | | | Finally although the opera house put Sydney |
| too heavy for the supporting columns that | | | | on the world map, both architecturally and |
| were already built, so these were demolished | | | | culturally but from project management |
| and rebuilt. These and several other setbacks | | | | perspective it was a spectacular failure as a |
| led to delays and increasing cost overruns. | | | | consequence of ignoring risk management. |
| | | | |
| • The original design called for two | | | | References |
| theatres. The government changed its mind | | | | |
| and required the building to be altered and | | | | 1. [Accessed 2 May 2007]. |
| that four theatres now be incorporated into | | | | |
| the design | | | | 2. [Accessed 2 May 2007]. |
| | | | |
| • The foundation been demolished to | | | | 3. Edwards, L. (1995). Practical risk |
| suit the new roof design loads. | | | | management in the construction industry, |
| | | | Thomas Telford, London |
| 2.4.2 Fitness for purpose. | | | | |
| | | | 4. Flyvbjerg, Bent, "Design by Deception: The |
| ï‚§ The main design overlooked acoustic | | | | Politics of Megaproject Approval", Harvard |
| requirements which is the main purpose of | | | | Design Magazine, Volume 22, 2005. |
| the building and had to be altered at later | | | | |
| stage. | | | | 5. [Accessed 2 May 2007]. |
| | | | |
| ï‚§ The Running costs for S.O.H proved | | | | 6. [Accessed 2 May 2007]. |
| expensive , it was a very labour intensive | | | | |
| building .In 1974 , it operation cost was | | | | 7. [Accessed 2 May 2007]. |
| $A6M, of which only $A2M was covered by the | | | | |
| revenue. Thus costs ruled out small scale | | | | 8. Murray ,21-22. |
| opera and the Australian Opera were forced to | | | | |
| seek a cheaper venue. | | | | 9. Murray, P: The Saga of the Sydney Opera |
| | | | House, 2004, Spon Press (UK), ISBN 0415325218 |
| 2.5 Construction | | | | |
| | | | 10. [Accessed 25 Jun 2007]. |
| Engineers who revised the concept noted that | | | | |
| the roof shells were much larger and wider | | | | 11. Neville Turbit |
| than any shells seen so far. Further, because | | | | |
| they stuck up so height, they would act like | | | | 12. John Tookey civil 703 lecture notes |
| sails in strong winds blowing up the harbour. | | | | University of Auckland. |
| Thus, the roof would have to be carefully | | | | |
| designed and constructed to resist such wind | | | | 13. Office of Project Management Process |
| pressure. | | | | Improvement "Project Risk Management |
| | | | Handbook" |
| The construction was estimated to take about | | | | |
| five years at a cost of A$7 million. Ignoring | | | | 14. Peter Murray "The dramatic storey of the |
| his request, the government pressured Utzon | | | | design and construction of the icon of modern |
| into starting construction in 1959, two years | | | | Australia"(London and New York: Spon |
| ahead of the architect's proposed schedule. | | | | Press,2004),105. |
| | | | |
| ï‚§ The lack of preparation soon | | | | 15. Roger Flangan & George Norman "Risk |
| backfired. After the completion of the grand | | | | Management and Construction". Blackwell |
| podium with an enormous, 86 meter (282ft) | | | | Scientific Publications ISBN 0-632-02816-5. |
| wide stair, several years were spent | | | | |
| reworking the design of the roof. | | | | 16. [Accessed 2 May 2007]. |
| | | | |
| • Three tower cranes imported from | | | | 17. [Accessed 2 May 2007]. |
| France for this job costing $100,000 each and | | | | |
| it was the first building constructed in | | | | 18. Woodward, Hugh PMP, PowerPoint |
| Australia using tower cranes. | | | | Presentation to NASA on March 23, 2005, |
| | | | |
| • Unfortunately the roof shells were | | | | 19. Yozo Mikami "Utzon's Sphere" page 46 |
| too heavy for the supporting columns that | | | | Shokikusuha Tokyo ISBN 4-395-00712-0 |
| were already built, so these were demolished | | | | |
| and rebuilt. | | | | 20. Ziegler, Oswald L. (ed) Sydney Builds an |
| | | | Opera House. |